![]() ![]() In 1923 the Whitney Studio Club mounted a large exhibition of his works. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923.įiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. As a teenager, Fiene immigrated to the United States in 1912. ![]() Low Tide at Noon, Wellfleet, MassachusettsĮrnest Fiene was born in Elberfeld, Germany in 1894. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. At other times he insisted that he was of African-American descent. Sometimes Yoakum claimed that he was a full-blooded “Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. He dated his works with a rubber stamp - an oddly impersonal, labor-saving device.Īlthough Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. All of his drawings have titles that grew longer and more specific over the years. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. his period of greatest activity - 1965 to 1970 - when he usually made one drawing a day. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. He exhibited his work in Spain, France, the Philippines, Switzerland, the United States, Canada and Colombia, among many other countries.Įxtraordinary draftsman, agile handling pencil and charcoal, Ignacio Gil immortalized landscapes of all Spain.Īndes Mountains Peru So America, circa 1960sĬolored pencil and ballpoint pen on paper Throughout his life Ignacio Gil dedicated himself to travel both in the Peninsula and in different Islamic and Latin American countries. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure, he was able to complete his artistic training. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, where he had as teachers Felix Mestres and Vicente Borrás. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. ![]()
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